Saturday March 22, 2:00-6:00pm
Sunday, March 23, 12:00-4:00pm
Application Deadline: EXTENDED TO Friday, March 14
Susan Wheeler is the author of six books of poetry, including Bag o’ Diamonds, winner of the Norma Farber First Book Award, and Meme, a finalist for the National Book Award. She directs the creative writing program at Princeton University.
No matter their faith or doubt, most poets feel summoned to explore the ways human lives relate to the spiritual. Through readings of contemporary poets with a range of spiritual outlooks and inquiries, workshop participants will focus on making new poems, seeking to discover spirit through the stuff of the world.
Rallying around Dean Young’s assertion "we are making birds not birdcages,” this class will examine the role of form in innovative and traditional poems, and explore the interplay of memory, language, and art in the creation of new work.
This class will examine recent work from literary magazines to see how other poets create texture and tension, with focus on students’ poems and on several writing exercises to steering toward new strategies and discoveries in making a poem.
Neil Shepard is the author of four books of poems, including This Far from the Source and (T)ravel/Un(T)ravel. A senior editor of Green Mountains Review and a founding member of the poetry-jazz ensemble PoJazz, he teaches in the low-residency MFA Writing Program at Wilkes University.
Poets House is thrilled to host the live recording of Person, Place, Thing. In this episode of the public radio show, Emmy Award-winner Randy Cohen asks Pulitzer Prize-winning poet Tracy K. Smith about a person, a place, and a thing of special significance to her. Join us for the resulting great stories and accompanying live music with award-winning folk musician Jefferson Hamer. All proceeds support Poets House programming.
Poet and performer Tracie Morris presents an open seminar on the relationship between sound, onomonpoetics, and imagery, demonstrating that form is a continuum that incorporates both the avant-garde and conventional, rather than something that is “broken” by experimentation, a source rather than a rulebook for the making and presenting of living, resounding poems.
“A Painter and His Poets” is the first major retrospective show of George Schneeman's collaborative paintings, collages, prints, and books, with portraits of his poet friends, spanning 40 years. "A sort of utopia in the visual field filled with pleasure, quickness and wit" is how Schneeman himself described his collaborative work with poets, an idealized world inhabited by the figures in his portraits of them, as well.