Page Meets Stage

Thomas Lux meets Jon Sands

Acclaimed poet and teacher Thomas Lux is a veteran of Page Meets Stage and the author of over a dozen books of poetry. He began publishing haunted, ironic poems that owed much to the Neo-surrealist movement in the 1970s. Critically lauded from his first book Memory’s Handgrenade (1972), Lux’s poetry has gradually evolved towards a more direct treatment of immediately available, though no less strange, human experience.

The Art of Reading from the Donald & Patricia Oresman Collection

Please join us for an exceptional exhibit of images culled from the Oresman collection. Rodney Phillips curates a selection of over thirty works of art, from Magritte to Brainard, Diebenkorn to Warhol, representing wildly different styles and mediums but collectively focused around the theme of people reading.

Insolent Grace: An Exhibition on the Transatlantic Life of Alberto de Lacerda

This exhibition unveils treasures from the archive of Alberto de Lacerda (1928–2007), one of Portugal's most admired poets, who spent the majority of his adult life in England and the United States. On display are the fruits of his friendships with world-renowned writers and artists: letters to de Lacerda, inscribed books, handwritten poems and other gifts from the likes of John Ashbery, Robert Creeley, Robert Duncan, Marianne Moore, Octavio Paz and Anne Sexton, among many others.

•5:00pm Opening Reception

Radiance: An Exhibition of Paintings by James Walton Fox

The paintings of James Walton Fox find inspiration in the poetry of Mahmoud Darwish, Rumi, A.R. Ammons and others, combining lines of poetry with the gesture of handwriting, saturated colors and dynamic compositions. His work "treats the concrete reality of language as place," as Fox says, and "create[s] a dimension where the radiance of life is not separate from forms; text is not separate from space, but actually generates space; and the Poetry—the very music of creation—is made visible, physical, and local."

The Green Man: An Exhibition

This series of paintings by British-born poet and painter Basil King depicts the Green Man, the pre- Christian archetypal figure of creation and the earth, emerging in the guise of British historical figures, such as Guy Fawkes and Walter Raleigh.

Part of Ecopoetic Futures, a series of events that examine poetry and the environment. Programs in this series are funded, in part, by grants from the National Endowment for the Arts and the New York Council for the Humanities.

Robert Frost's Annual Christmas Cards: An Exhibition & Celebration

This intimate exhibition features beautiful, illustrated chapbooks of Frost's poetry published by Spiral Press and sent out as holiday greetings by the revered poet as well as by his publishers, collectors and friends.

The display at Poets House comprises a gift from Frank Platt, long-time Vice President (and founding member) of the Poets House Board, and augmented by a loan from Ward Smith, a collector of Frost books, manuscripts, pamphlets and letters. Platt's gift consists of holiday chapbooks sent to him personally by Robert Frost.

The Fist Clenched Round My Heart: An Exhibition of Love Poetry at Poets House

On view February 13 through March 13, 2010

This intimate exhibition of love poetry is drawn from The Reed Foundation Library at Poets House.

"How Does a Bird Imagine? What Does a Tree Know?"

On view March 20 through June 19, 2010

For all ages, this exhibition documents the creation of poetic spaces by a public-school community in response to images of landscape and shared journeys: a bird, a tree, a labyrinth.

Part of Ecopoetic Futures, a series of events that examine poetry and the environment. Programs in this series are funded, in part, by grants from the National Endowment for the Arts and the New York Council for the Humanities.

Gathering: An Exhibition of Poems & Prints by Ed Colker

On view June 28 through Saturday, October 9, 2010

Creating art in response to poetry since the 1960s, Ed Colker has "produced pure expressions, stirring symbols of inner truths or imaginings that can sometimes be inspired by or incite poetry" (New York Times).

Afterwards, in between, and since: A Charles Olson Centennial Exhibition

On view December 7, 2010 through March 23, 2011

In honor of the 100th anniversary of Charles Olson’s birth, Poets House presents a selection of books by and about Olson, along with Charles Alexander’s set of ten broadsides entitled “Charles Olson: Language as Physical Fact.” The broadsides were drawn from The Maximus Poems and printed in an edition of 15 copies in 2008 at Chax Press in Tucson.

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