Based on his new book, I Catch My Moment: Art and Writing by Children on the Life of Play, Richard Lewis presents a series of writing and drawing exercises that celebrate everything that plays (birds and trees, colors and air, and all the many universes beyond) using magical marbles as a colorful springboard.
Edna St. Vincent Millay, an elfin, red-haired diva of the sonnet, published some of the wisest, sexiest, and most feminist poetry of the 20th century. From her childhood as caretaker of her siblings in Camden, Maine, to her adolescent near-miss at a national prize for "Renascence" which sparked a national poetry controversy, to her bohemian life in one of Greenwich Village's tiniest brownstones, Millay was as uncompromising in her devotion to the rules of verse as she was in her flaunting of social rules.
Readings by Martine Bellen, Cao Shuying, Charles Borkhuis, Caroline Crumpacker, Joseph Donahue, John High, Bob Holman, Charles Laughlin, Ma Lan, Rachel Levitsky, Cris Mattison, Leonard Schwartz, Sun Yi, Zhang Er and Zhang Zhen
A panel discussion on the survival and evolution of the Chinese poetic tradition in the face of the globalization of capitalism and the Chinese government's political control with Cao Shuying, Cris Mattison, Eleni Sikelianos, Sun Yi and Zhang Er.
The greatest iconoclasts don't set out to. Take Emily Dickinson. She just couldn't do some things as others did them. She couldn't seem to manage to get saved despite great pressure from revival-happy Amherst; she couldn't bend her talent to write poems in any way that her time could accept as poems; she couldn't want fame if it meant publishing; she couldn't trade the intensity of her own mind for the busyness beyond her gate.
On the weekend of October 12-13, 2007, librarians from across the country will gather in Poets House's acclaimed library for the fifth Poetry in The Branches National Institute, a weekend designed to help librarians build community audiences, develop substantive poetry collections and create successful reading series in public libraries nationwide.
Matsuo Bashō, wandering the back-country fields, mountains, and cities of 17th-century Japan and of his own life, distilled the immensities of human experience into single images of striking depth and feeling. Bashō offered the seventeen-syllable haiku as an evocative and democratic form for capturing the realizations of ordinary existence. His brief poems—sometimes sorrowful, sometimes humorous, always acutely perceptive—revolutionized and transfigured not only the poetry of his own time but current American and world poetry as well.
Elaine Equi and Aram Saroyan reflect on their minimalist propensities and the work of influential practitioners of this spare aesthetic, including e.e. cummings, Ian Hamilton Finlay, Lorine Niedecker, Gertrude Stein, Louis Zukofsky and Joe Brainard.
Poet Dick Davis expands our understanding of the period that gave rise to such voices as Rumi and Omar Khayyam by exploring several poems from the canon of Medieval Persian literature, including the Sufi allegory The Conference of Birds.
At each stage of his tumultuous life, Neruda wrote poems as chronicles, explaining his poetry and politics. He also wrote poems about the mysterious power of poetry itself, a power fully embraced in Chilean culture. In his talk Martín Espada will focus on the evolution of Neruda as a political poet, his struggle and exile at the hands of his own government, his triumphant return, his death in the wake of the military coup, and his redemption after democracy returned to Chile.