Language Is a Temptation: Anaïs Duplan reads July 2 from Bernadette Mayer’s Memory

Poet, curator, and artist Anaïs Duplan reads July 2 from Bernadette Mayer’s Memory.

Anaïs Duplan is a trans* poet, curator, and artist. He is the author of a forthcoming book of essays, Blackspace: On the Poetics of an Afrofuture (Black Ocean, 2020), a full-length poetry collection, Take This Stallion (Brooklyn Arts Press, 2016), and a chapbook, Mount Carmel and the Blood of Parnassus (Monster House Press, 2017). His writing has been published by Hyperallergic, PBS News Hour, the Academy of American Poets, Poetry Society of America, and the Bettering American Poetry anthology. Duplan is the founding curator for the Center for Afrofuturist Studies, an artist residency program for artists of color, based in Iowa City. As an independent curator, he has facilitated artist projects in Chicago, Boston, Santa Fe, and Reykjavík. Duplan’s video and performance work has been shown at Flux Factory, Daata Editions, the 13th Baltic Triennial in Lithuania, Mathew Gallery, NeueHouse, the Paseo Project, and will be exhibited at the Institute of Contemporary Art in L.A in 2020.  He was a 2017-2019 joint Public Programs Fellow at the Museum of Modern Art and the Studio Museum in Harlem. He now works as Program Manager at Recess and Adjunct Assistant Professor in Poetry at Columbia University.

Language Is a Temptation is a series of 3 minute readings from Bernadette Mayer’s Memory that are posted on our Instagram, YouTube, and website daily at 3pm.

In July 1971, Bernadette Mayer embarked on a month long experiment: every day she exposed a roll of 35mm film and kept a journal. The result was a groundbreaking, conceptual work, comprised of more than 1100 photographs and two hundred pages of text. Mayer’s durational and constraint-based diaristic work of poetry and photography investigates the nature of memory: its surfaces, textures and material.

In July 2020, Poets House and Siglio Press embark on a month long daily experiment: a passage from the corresponding day in 1971 will be read by poets, writers, critics, and artists, as a parallel durational work that celebrates the new publication of Bernadette Mayer’s Memory (Siglio Press, 2020), which brings together the full sequence of images and text for the first time in book form.